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Explore over 8,000 Documents of 20th and 21st-century art in Latin America, the Caribbean, and among US Latino communities The ICAA's digital archive is generously underwritten by The Diane & Bruce Halle Foundation Document Highlights Browse the Digital Archive Browse by Author Browse by Title Browse by Date Browse by Topic Plaza de Los Museos, Parque los Caobos, Caracas 1010, Repblica Bolivariana de Venezuela. Anaida Hernndez (born 1954) is a Puerto Rican sculptor, painter, installation artist, muralist, documentary director, and businesswoman.She was an active member of the Association of Women Artists of Puerto Rico [] and is considered as being a pioneer in addressing violence against women via contemporary Caribbean and Latin American art. In addition to the many essays written by top Puerto Rican thinkers, the magazine published contributions from some of the leading Latin American artists and critics, such as Luis Camnitzer, Damin Bayn, Jacqueline Barnitz, Samuel Cherson, Joseph Alsop, Omar Rayo, and Ricardo Pau Llosa, among many others. on Junio 18-27, 1978 at Primer Encuentro Iberoamericano de Criticos de Arte y Artistas Plasticos of Caracas. Welcome! For more on this controversy, see by Otero Carta a Guillent Prez, a propsito de limbos y apocalipsis [798998], and the critique offered by Guevara Rigor y autenticidad [799462]. Explore over 8,000 Documents of 20th and 21st-century art in Latin America, the Caribbean, and among US Latino communities. Centro Internacional para las Artes de las Amricas (ICAA) Manrique, Jorge Alberto. Otero, who was supported by critics like Guevara, also questions the thesis of the depersonalization and mimesis of artists; including the affirmation that artistswith few exceptions like Fernando de Szyszlo in Per and Alejandro Obregn in Colombiaare excessively eager to join already existing groups and trends in New York and Paris. The article includes a copy of an image taken from her work 100 Boots (1971) and a brief [], As part of the campaign to promote the exhibition Arte de Sistemas en Latinoamrica, which opened in February 1975 at the Espace Pierre Cardin in Paris, this newsletter published a copy of a work by the Uruguayan Conceptual artist Clemente Pad [], The CAYC produced this newsletter to promote the exhibition Arte de Sistemas en Latinoamrica at the Palazzo dei Diamanti, in Ferrara, Italy. As an alternative to the kind of Latin American nationalist painting prompted by muralism, Traba urges artists and critics to look to Latin Americans who transformed Modernist idioms into American aesthetic expressions, such as Wifredo Lam (1902-82) and Joaqun Torres-Garca (1874-1949). By downloading or printing this document, you expressly agree that your intended use is private, non-commercial, and educational in nature; that you have reviewed the United States Copyright Office circular on fair use of copyright, located at the website: http://www.copyright.gov/fls/fl102.html; and that you shall indemnify, defend, and hold MFAH and ICAA and their representatives harmless from all claims, allegations, costs, expenses, fees, judgments, liabilities, losses, and damages arising from or relating to your intended use of the downloaded or printed document. This lecture by the Mexican historian and art critic Jorge Alberto Manrique (b. Atentamente, el Boom latinoamericano | EL PAS Amrica Colombia All Rights Reserved, Courtesy of Fernando Zalamea Traba, Bogot, Colombia, Documents of Latin American and Latino Art, Adolpho Leirner Collection, Library, and Archive, Mara C. Gaztambide; Harper Montgomery, collaborator. All Rights Reserved, Courtesy of Jorge Alberto Manrique and Museo de Bellas Artes de Caracas, Documents of Latin American and Latino Art, Colaboracin con la Universidad de Houston, La Coleccin Adolpho Leirner, Biblioteca y Archivo. The ICAA was initiated . A pesar de la especificidad de su nombre, en los 21 nmeros editados se tocaron gran variedad de temas tanto sobre el arte puertorriqueo como el latinoamericano. El crtico cubano-americano Ricardo Pau-Llosa afirma que existe un arte latinoamericano moderno claramente definido, el cual se desarroll en las dcadas de veinte y treinta. It also includes the group that would become a pioneer in the field, the Grupo Cine Experimental [], This newsletter includes an essay, written by the Colombian artist Jonier Marn, about Arte de Sistemas en Latinoamrica, the exhibition organized by the CAYC and presented at the Internationaal Cultureel Centrum (ICC) in Antwerp, [], This newsletter announces an exhibition of works by Brazilian artists at the CAYC. Some of the articles included in this issue were lectures delivered at various conferences and symposia that were collected here for the first time; other essays were contributed by their authors with no particular subject guidelines. In January 1954 he delivered two lectures, Arquitectura y Paisaje en Europa: Francia, Espaa, Italia [Architecture and Landscape in Europe: France, Spain, and Italy] and La concepcin del espacio en la pintura antigua y moderna [The Conception of Space in Ancient and Modern Painting]. Anaida Hernndez - Wikipedia In her essay, Marta Traba launches an argument in five parts against nationalism in recent Latin American painting. The essay El arte latinoamericano: un falso apocalipsis, by Marta Traba (192383), the Argentinean critic based in Colombia, was published in the literary supplement of El Nacional newspaper, on May 2, 1965. Mari Carmen Ramrez: Destacando el arte latinoamericano Marta Traba (1930-83) was an Argentine-born critic and art historian active in Bogot and San Juan, Puerto Rico. Marta Traba (1930-83) fue una crtica e historiadora de arte argentina que ejerci su profesin en Bogot y San Juan, Puerto Rico. Desde el 2019, el cargo lo ocupa Arden Decker. The article includes a picture of a work by the Brazilian artistwhose style evokes a type of political Conceptualism that was both [], This newsletter reports that Bernardo Krasniansky is in Buenos Aires to show his work at a one-man exhibition at the CAYC in July 1975. Language. The ICAA's digital archive is generously underwritten by The Diane & Bruce Halle Foundation. The article includes a picture of one of her graphic pieces and her contact information expressed in the Conceptual [], This newsletter announces an exhibition of works by Julio Plaza, the Spanish artist who lived in So Paulo. 1958), Marta Traba, Problemas del arte en Latinoamrica, Revista Mito (Bogot) 18 (Febrero.Marzo-Abril 1958): 428-436. Home ICAA Documents Project ICAA/MFAH El estado del arte latinoamericano en Europa ICAA Documents Project La revista edit ejemplares antolgicos dedicados a temas tales como la V Bienal de San Juan del grabado latinoamericano y del Caribe (1981), la arquitectura puertorriquea y la plstica latinoamericana. The ICAA's digital archive is generously underwritten by The Diane & Bruce Halle Foundation. He bases his ideas on Simn Bolvars theory that Latin America is an invention and perhaps a fiction, and states that we have invented the concept of Latin America and have somehow managed to make the reality look like its definition. Manrique goes on to discuss other important topics, including localisms and the right to universalism, and touches on the major differences and similarities (miscegenation, dependence, and exploitation) among Latin American countries. It stars Macarena Garca alongside Nacho Snchez, Ingrid Garca Jonsson, Mireia Oriol, Luka Peros, Luca Jurez and Celso Bugallo . Manrique, Jorge Alberto. This page was published in the United States with the image from Grficos argentinos 74, the exhibition the CAYC organized and [], The work by Daniel Zelaya on this page was published as part of the campaign to promote Grficos argentinos 74, the exhibition organized by the CAYC and presented at the Illinois Bell Telephone Company in Chicago. El MFAH tiene un respaldo de ms de 50 millones de dlares. Avance. All Rights Reserved, Courtesy of Jorge Alberto Manrique and Museo de Bellas Artes de Caracas, Documents of Latin American and Latino Art, Adolpho Leirner Collection, Library, and Archive. ICAA Documents Project ICAA/MFAH Para ello, la [], A number of different strategies were explored in the campaign to provide international promotion for Arte de Sistemas en Latinoamrica, the exhibition the CAYC presented at the Palais des Beaux-Arts in Brussels, which opened on May 29, 1974. Durante la dcada de 1950 abog por el modernismo internacional en Latinoamrica, pero pas a detractora en los aos sesenta por la homogeneidad de este tipo de artes plsticas, tras el aumento de la influencia cultural de los Estados Unidos en la regin. The ICAA has organized three international symposia, published its proceedings in bilingual format, and developed widely acclaimed exhibitions, such as Inverted Utopias: Avant-Garde Art in Latin America (2004), Hlio Oiticica: The Body of Color (2006), and Carlos Cruz Diez: Color in Space and Time (2011), among others. She discusses some exceptions, as well as the case of artists who have yielded to this mimesis. Traba concludes that due to the crisis of aesthetics (an axiological component of art) in this century, the majority of Latin American artists have become little people and fools of the Grand Apocalypse and that America is in limbo.. Sobre el mismo haba sido publicado ya, en Venezuela, el libro de Damian Carlos Bayn (relator) El artista latinoamericano y su identidad (Caracas: Monte vila Editores (Coleccin Estudios), 1977) 150pp., ilustrado en blanco y negro. El presidente de El Salvador, Nayib Bukele, busca su reeleccin y escribir una historia vieja que quiere vender como nueva: la del caudillo latinoamericano que acumula poder, elimina a la . This issue of Plstica magazine was devoted to art in Latin America; it was produced by Ernesto Ruiz de la Mata, the Puerto Rican critic, who organized the Centro de Documentacin de Arte Latinoamericano [Center for the Documentation of Latin American Art] in Puerto Rico during the 1980s. [], This newsletter announces the opening of a one-woman show of works by the Brazilian artist Regina Silveira at the CAYC in July 1975. Su primera junta editorial la compuso Hlne Saldaa, Delta Pic, Cordelia Buitrago y J.M. Palacio de las Academias. Novedad en el Archivo: Conjunto Final de Documentos Crticos de Arte Chileno . The article provides a list of the films and their technical specs. -- Vol. This Paraguayan multimedia artist was a frequent guest at the centers exhibitions; he was part of Arte de [], This newsletter published a text from Farmacia Fischer & Ca. APOYE LA COLECCIN Y DIFUSIN DE ARTE LATINOAMERICANO Y LATINO, El archivo digital ICAA recibi el generoso apoyo de The Diane and Bruce Halle Foundation, Centro de Documentacin. Taking a significant step in its European foray, the CAYC also established its presence in Antwerp. The Argentinean artist [], This page of the newsletter, which includes a copy of a work by the Argentinean draftsman and printmaker Jorge Alvaro, was published as part of the campaign to promote Grficos argentinos 74, the exhibition that the CAYC organized in [], This newsletter includes a picture of IDENTIFICAR (1973), a work by lvaro Barrios that was shown at Latinoamrica 74, the exhibition organized by the CAYC and presented at the ICC (International Cultureel Centrum) in Antwerp, Belgium [], This newsletter published a work by Oscar Cesar Mara to promote the North American version of Grficos argentinos 74, the exhibition that the CAYC organized and presented at the Illinois Bell Telephone Company in Chicago. The event opened on May 25, 1975, and the newsletter includes black-and-white photographs of works by [], This document, written in English, announces the opening of Catastrophe Art, a group exhibition of works by Japanese artists organized by Yutaka Matsuzawa, a pioneer of Conceptual art in Japan, and presented at the CAYC. 15-17; 345pp. Adems, logra integrar y asociar materiales artsticos de pases como Argentina, Mxico, Brasil, Chile y Estados Unidos. El ICAA, adems, ha organizado simposios internacionales llegando a publicar sus actas en ediciones bilinges, adems de la realizacin de exhibiciones de gran reconocimiento; entre ellas, Inverted Utopias: Avant-Garde Art in Latin America (2004), Hlio Oiticica: The Body of Color (2006), Carlos Cruz-Diez: Color in Space and Time (2011), as como la reciente Contesting Modernity: Informalism in Venezuela, 19551975 (201819). The event took place during a period fraught with political tension following the death of the [], This newsletter, written in English, announces the IV Encuentro Internacional de Video organized by the CAYC at its center in Buenos Aires. group of the encounter, Art Systems in Latin America at the Institute of Contemporary Arts London, Art Systems in Latin America at the Institute of Contemporary Arts, El arte en posicin crtica : prctica y teora, Bernardo Krasniansky personalmente en el CAYC, Fourth International Open Encounter on Video Buenos Aires, Arte de sistema en america latina. Its mission is to collect, exhibit, research, and educate about the diverse artistic production of Latin American and Latinx communities, including artists from Mexico, Central and South America, the Caribbean, and artists of Latin American descent living and working in the . The Argentinean set designer took part in the exhibition that the CAYC organized in North America and presented at the Illinois Bell [], This page in the newsletter includes a picture of a work by one of the artists who participated in Grficos argentinos 74, the exhibition that the CAYC organized in the United States. This newsletter published [], This newsletter announces the presentation of videos by Argentinean artists at the Bruges Triennial (from June to September 1974). Latin America Art-462 part 1 - LATIN A 8/24/ No book Zlibrary- ICAA The article includes still images from each video and a list of participating works. Museo de Bellas Artes de Caracas. Museo de Bellas Artes de Caracas [Collection of Latin American Painting and Sculpture: Museum of Fine Arts, Caracas] (Caracas: Museo de Bellas Artes, 1979), pp. Telf: 58-212-5726841, Copyright2019 MFAH ICAA. Muchos de los participantes del Encuentro de 1978 haban asistido previamente a tal evento. The heated debate played out in the aforementioned newspaper and in the Revista Nacional de Cultura. APOYE LA COLECCIN Y DIFUSIN DE ARTE LATINOAMERICANO Y LATINO, El archivo digital ICAA recibi el generoso apoyo de The Diane and Bruce Halle Foundation, Copyright2019 MFAH ICAA. Home ICAA Documents Project en Espaol ICAA/MFAH The newsletter includes an essay by David Ross, an academic [], This newsletter announces the opening of an exhibition of works by the Catalonian artist Cesc at the CAYC in June 1975. A notable subtext of her indictment against nationalism in contemporary painting is the problem Traba has with the governments role in promoting official artists in Latin America. All Rights Reserved, Documents of Latin American and Latino Art, Colaboracin con la Universidad de Houston, La Coleccin Adolpho Leirner, Biblioteca y Archivo. 1, no. Francesc Vila Rufas is known in international art circles for his work in the field of graphic humor. The event, entitled Grficos del Rio de la Plata, was organized by the CAYC at the Galerie S:T Petri, in Lund, Sweden, in September 1975. The Art of Return (Spanish: El arte de volver) is a 2020 Spanish drama film directed by Pedro Collantes. By downloading or printing this document, you expressly agree that your intended use is private, non-commercial, and educational in nature; that you have reviewed the United States Copyright Office circular on fair use of copyright, located at the website: http://www.copyright.gov/fls/fl102.html; and that you shall indemnify, defend, and hold MFAH and ICAA and their representatives harmless from all claims, allegations, costs, expenses, fees, judgments, liabilities, losses, and damages arising from or relating to your intended use of the downloaded or printed document. Garca Segovia. This newsletter includes black-and-white photographs of works [], In this latest foray on the international stage, the CAYC presented an updated version of Arte de Sistemas en Latinoamrica in London on November 28, 1974. This event was another stop on the international tour organized for the exhibition Hacia un perfil del arte latinoamericano that, in this case, [], As part of the additional activities scheduled for the Semana Latinoamericana during the exhibition Arte de Sistemas en Latinoamrica at the ICA (Institute of Contemporary Arts) in London, an English version of this newsletter announces a [], To promote the opening of Arte de Sistemas en Latinoamrica at the ICA (Institute of Contemporary Arts) in London in November 1974, the CAYC showed works by participating artists. Novedades en el Archivo: Carlos Cruz-Diez a lo largo de dcadas. Traba, Marta. The Argentine critic Damin Bayn briefly summarizes the state of Latin American art in Europe. Marta Traba analiza en este libro los efectos de la creciente influencia que el arte estadounidense ha ejercido en el arte de Latinoamrica durante las dcadas de cincuenta y sesenta, y la forma en que los artistas latinoamericanos han sucumbido y resistido los efectos de esta influencia. El Nacional (Caracas, Venezuela). For example, Diego Rivera (1886-1957) of Mexico and Candido Portinari (1902-62) of Brazil, both realist artists whose work was aggressively promoted by their governments during the 1940s, are both criticized by name in this text. The article includes a copy of one of the works in the series Throwing Three Balls in the Air to Get a Straight Line [], This newsletter includes a copy of an article by the art critic Harold Haydon from the Chicago Sun-Times newspaper, who reviews the exhibition Grficos argentinos 74 that was organized by the CAYC at the Illinois Bell Telephone Company& [], This newsletter announces an exhibition of films by different authors at the CAYC. . An important forerunner to this event was the Austin Symposium organized by University of Texas in late October 1975, which was attended by many of those who were later at the 1978 gathering. The event took place from February 2025, 1975, at the Espace [], This newsletter, which is written in French, announces the Deuxime rencontre internationale ouverte de video (Second International Open Conference on Video), which the CAYC attended. Invencin del Arte Latinoamericano ICAA Documents Project en Espaol Home - California Art Education Association A selection of those texts that appeared in the Revista Nacional de Cultura was published in Roldn Esteva-Grillet, compiler, Fuentes documentales y crticas de las artes plsticas venezolanas. Espacios y tiempos dentro del arte latinoamericano (Caracas: Museo Alejandro Otero, 2000). 12 (September 1984): 35-38. The First Iberian-American Gathering of Art Critics and Visual Artists was held in 1978 at the Museo de Bellas Artes [Museum of Fine Arts] in Caracas. Anaida Hernndez ( Mayagez, 1954) es una escultora, pintora, instaladora, productora de papel hecho a mano, grabadora, muralista - mosaicos, directora de documentales y empresaria puertorriquea. Atentamente, el Boom latinoamericano | EL PAS Amrica Colombia. The California Art Education Association, in conjunction with the National Art Education Association, provides a wide variety of opportunities for members to grow professionally through events such as conferences, networking sessions with fellow educators from all over the state that offer the opportunity for thoughtful dialogue on topics of interest including classroom-, educational . El Nacional (Caracas, Venezuela), May 2, 1965. Plaza de Los Museos, Parque los Caobos, Caracas 1010, Repblica Bolivariana de Venezuela. At the time, Plaza was producing graphic design inspired by a range of visual poetics [], This newsletter announces an exhibition of works by Latin American artists. Prueba de ello es que la misma se seleccion para ser reproducida como uno de los textos introductorios, en el Catlogo General intitulado Coleccin Pintura y Escultura Latinoamericana. By then, the book concerning the earlier event had already been published in Venezuela: El artista latinoamericano y su identidad [The Latin American Artist and His Identity] by Damian Carlos Bayn (edit.) Los latinoamericanos, que no han experimentado de manera uniforme una industrializacin avanzada de la sociedad, no estn caracterizados por el consumismo o la alienacin. Traba, Marta. El cine latinoamericano ha producido numerosas pelculas destacadas que han cautivado al pblico mundial. Many artists are there for just a short time, they come and then leave; most are men and the majority live in Paris. La revista edit ejemplares antolgicos dedicados a temas tales como la V Bienal de San Juan del grabado latinoamericano y del Caribe (1981), la arquitectura puertorriquea y la . Adems de Jorge Alberto Manrique, asistieron otras figuras relevantes como los crticos de arte, profesores y artistas: Julio Le Parc, Jorge Glusberg, Juan Acha, Adelaida de Juan, Carlos Rodrguez Saavedra, Jacqueline Barnitz, Berta Taracena, Antonio Berni, Galaor Carbonell, Marco Miliani, Alirio Rodrguez, Roberto Montero Castro, lida Romn, Ida Rodrguez [Prampolini], Carlos Arean, Marta Traba, Roberto Pontual y Aracy A. Amaral.Un antecedente importante de este evento fue el Simposio de Austin, organizado por la University of Texas a fines de octubre de 1975. Some of the articles included in this issue were . By downloading or printing this document, you expressly agree that your intended use is private, non-commercial, and educational in nature; that you have reviewed the United States Copyright Office circular on fair use of copyright, located at the website: http://www.copyright.gov/fls/fl102.html; and that you shall indemnify, defend, and hold MFAH and ICAA and their representatives harmless from all claims, allegations, costs, expenses, fees, judgments, liabilities, losses, and damages arising from or relating to your intended use of the downloaded or printed document. The article includes a list of participating artists and their [], This newsletter announces that a group of Argentinean artists will show their works at the tenth edition of the Sigma Festival in the city of Bordeaux, in southwestern France. Invencin del Arte Latinoamericano ICAA Documents Project ICAA/MFAH Explore over 8,000 Documents of 20th and 21st-century art in Latin America, the Caribbean, and among US Latino communities, The CAYC Files:An ICAA/MFAH and ISLAA Collaboration, New in the Archive: Carlos Cruz-Diez through the Decades, Papelitos: Object-Based Learning Seminar Spotlight: Zoie Buske, Papelitos:When the Archive Goes Paperless, New in the Archive: Final Set of Critical Documents of Chilean Art, Object-Based Learning at the Museum of Fine Arts, Houston, Papelitos:ICAA-Hirsch Library Facsimile Project: Latin American Rare Books, Periodicals, and Ephemera in theNancy and Rich Kinder Building, Support the collection and sharing of latin american and latino art, The ICAAs digital archive is generously underwritten by The Diane & Bruce Halle Foundation, Copyright2019 MFAH ICAA. Argentina was the first non-European country to promote this event, which had previously been staged in [], As part of the CAYCs campaign to promote the IV Encuentro Internacional de Video, organized at its center in Buenos Aires, this newsletter includes a text (in French) in which Fernando De Filippi explains his work Sustituzione (Substitution, [], This unnumbered page announces an exhibition of works by the North American artist Eleanor Antin to be presented at the CAYC in Buenos Aires in February 1975. Works by this painter and others were shown at Grficos argentinos 74, the exhibition that was presented at the [], A work by Sergio Camporeale, who was a member of Grabas (Grabadores de Buenos Aires), is shown here. La bsqueda de los estilos nacionalistas latinoamericanos se ha logrado mediante diversas indagaciones artsticas que han provocado un impacto incuestionable en el arte moderno: entre ellas, el luminismo onrico, el costumbrismo, el cinetismo, el geometrismo cintico y el expresionismo figurativo. In the newsletter, the CAYC [], Desde sus inicios, el Centro de Arte y Comunicacin (CAYC) liderado por el gestor, artista y empresario Jorge Glusberg se propuso como un espacio interdisciplinario que pudiera generar un movimiento de arte experimental. ICAA Record ID 1091066 Synopsis El crtico chileno de arte Miguel Rojas Mix presenta el panorama de la exposicin Arte en Amrica Latina de la Hayward Gallery de Londres, a mediados de 1989. Picture: Tina Modotti, Women with Flag, 1928 - Early mid 1928 - Indigenous woman - Flag is red has a political meaning: comunism - Virgin mary calling communism - Horizon learly defenied - Blank wall - Staged - Mexican picture - We don't expect a latin american indigenous to be politicized - We don't expect urban scenes, not leadership - The photograph was . El arte latinoamericano : un falso apocalipsis Author Traba, Marta Year 1965 ICAA Record ID 799377 Synopsis Marta Traba argues in her paper that in the last five years, Latin American art "has suffered from a visible process of depersonalization" and "mimesis." Arte en Amrica Latina - ICAA Documents Project ICAA/MFAH Entre los artistas mencionados estn: Amelia Pelez, Antonio Amaral, Humberto Calzada, Roberto Matta, Rogelio Polesello, Joaqun Torres Garca, Enrique Castro Cid, Leonora Carrington, Wilfredo Lam, Julio Rosado del Valle y Juan Soriano. Galleria civica d'arte moderna, Palazzo dei Diamanti, Towards nirvana. Traba reafirma incluso, aqu, su conviccin en la responsabilidad tica del crtico, haciendo responsables a sus colegas latinoamericanos de la dbil respuesta y evidente aceptacin del imperialismo cultural de los Estados Unidos en la regin. La revista Plstica, donde se public el artculo, fue una de las publicaciones especializadas editada con cierta continuidad en Puerto Rico. A pesar de la especificidad de su nombre, en los 21 nmeros editados se tocaron gran variedad de temas tanto sobre el arte puertorriqueo como el latinoamericano. La figura vertebral que apoy la creacin del ICAA fue el fallecido Peter C. Marzio, director del Museum of Fine Arts, Houston, desde 1982 hasta 2010. Traba yuxtapone este tipo de trabajos con ejemplos de arte abierto, y entre ellos los recientes avances de la abstraccin geomtrica en Buenos Aires, el arte cintico pblico en Caracas y los Happenings de Marta Minujn en Buenos Aires, que en su conjunto reducen la experiencia del arte al mero consumismo. La idea surgi en el 2001 y se realiz del 2004 al 2012. Polticamente, a Traba tambin le preocupa la forma en que el radicalismo de la dcada de 1960 ha sido neutralizado en el arte Pop y Op producido en los Estados Unidos, y especficamente cita la manera en que [Andy] Warhol y la cultura de masas estadounidense transform la imagen poltica del Che Guevara en cono de moda.